By Judith Brisson
Ironically, thirty years later, I probably have a more positive bodily self-image than I did then. My skin was a lot thinner in my twenties and careless or cruel comments more easily left their marks. I’m not implying that all is well in that lobe of the mind – my bodily self-consciousness I believe is ineluctably tied into the corporate political economy and the use of the youthful female form as a primary vehicle for promotion in advertising houses.
Yes I’m something of a sell-out: I mask my aging with products chemical and textile, supporting the corresponding aspects of the economy with plenty of my hard-earned dough and endangering my health in the process. Phthalates and poisoned rabbit eyes float around in my guilty un-conscience. I do it to circulate more fluidly – that is less self-consciously - in a youthful world, where I happen to spend a lot of time. Unlike many traditions from around the globe, age can be easily sidelined in our culture.
At least that’s the rationale I mentally employ as I while away my time pursuing the numerous high-maintenance tasks of the middle-aged woman. But the real reason is more insidious than that: my theory is that corporate composite of the female image eats away at my self-esteem, constantly reminding me of my numerous flaws by means of an endless array of mechanisms larger than life, including posting building-sized images of fourteen year-olds in designer pants slung low enough to expose pubic hair (if there were any to be seen).
It’s something of a comparison game that takes place at some sub-conscious level later on when I am alone with my body and contemplating its shortcomings. In a search to understand my compulsion to focus on body image, I document, alongside collaborator Colette Coughlin, the struggles of men in maintaining a healthy and positive body image in a highly aestheticized world.